Released during the competitive Lunar New Year holiday season, the film has dominated the box office since its debut on January 24. It has since drawn 588,501 viewers over its opening weekend and surpassed 600,000 cumulative viewers within three days.
The movie’s success isn’t limited to South Korea. In Indonesia, Dark Nuns broke records by attracting around 310,000 viewers in its first week, marking the highest opening for a Korean film in the country. It has also maintained the top spot at the Indonesian box office for three consecutive days, further highlighting its international appeal.
According to many reviewers, what sets Dark Nuns apart is its bold and unconventional approach. Known for her performances in dramas and melodramas, Song Hye Kyo takes on an entirely new challenge as a nun battling dark forces in an occult thriller.
Dark Nuns marks not only her first venture into this genre but also her first film role in over a decade, sparking significant pre-release buzz. Co-starring Jeon Yeo Bin, the movie explores exorcism in a way rarely seen in Korean cinema, offering audiences something refreshingly different.
As audiences grow more selective, box office success now relies heavily on positive word of mouth shared on social media and online forums. Gone are the days when big budgets and star-studded casts guaranteed success. Instead, unique storytelling and innovative concepts have become the driving forces behind hits like Dark Nuns.
Thus, it seems this will be the way forward for Korean cinema. Dark Nuns stands out as a testament to the power of taking creative risks but also Song Hye Kyo’s ability to captivate audiences, even in unexpected roles.
Source: Stoo
